Continuing femicide. “We don't want to write about what's next.” K editors co-sign an intervention on what needs to be done to break the vicious cycle. “What happened in Agios Anargyros was not the exception.” “Take 100, we don’t make arrests.” Protocols exist. But each police department seems to have its own complaint practices.
What Wolfgang Schäuble reveals about Greece's bankruptcy. What to write about Tsipras, Varoufakis and the Greek exit proposal. K presents exclusively excerpts from his memoirs about communications, discussions, and heroes during the country’s most difficult days. How Euclid, Jannis's “supervisor”, also cut off Venizelos' appetite. The scenario of “stopping” the euro and Tsipras’s surprise with a broad “no” in his referendum.
New Alchemy in Maximus and Transformation. How do they read the government's latest scenarios for the day after the European elections?
Paros became like a suburb of Attica. Autopsy of “K” on the island where most building permits are issued in the Cyclades Islands in the last five years. “Development model” and population relief.
Gray areas in hospital accounting. Research by IOBE shows data on costs, supplies and equipment that is not recorded even by large units in the NHS. “Scissors” in hospital operating costs.
Albert Bourla interview. Challenges facing medicines and Greece. Europe must not lose the battle to attract investments, Pfizer CEO assures K. The company's global digital innovation center in Thessaloniki already employs 1,000 people.
400 million annually “bill” for electricity thefts..
Besperigo case. Trial diaries of 10 million judges. Searching for the truth about infanticide, public comments and whispers, and elements of “reality.”
Meatballs, wine and Upamoglu.. Were the municipal elections the beginning of the end for Erdogan?
He grows with the weight of charisma. Children with skills that distinguish them from their peers and their “alienation” and school boredom. Parents and experts talk to K.
On the “ice” of teacher appointments in schools, in three years (and we see) the next ASEP competition.
A panorama of Marilena Aravantino's creative career at the National Library. “K” presents for the first time exclusive images, materials and memories, which form a portrait of the first Greek scenographer.
“Total alcohol fanatic. Coffee junkie. Amateur twitter evangelist. Wannabe zombie enthusiast.”
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