Yannis Papamichael’s new outburst, messing around with Despina Fandi – “I challenge her…”

See Yiannis Papamichail’s comment about being excluded from J2US

There are dozens of comments about Yiannis Papamichail, after his departure from J2US and his two appearances on stage that the judges commented on in different ways. Especially in the first one, which was a Greek song.

So he himself, after his first comment on what happened and seeing what was said, is back with a sharp new post this time.

He revealed the letter he received from Haris Varthakouris, while not hesitating to challenge Despina Vandi to sing a foreign song together in the J2US final.

This is Yannis Papamichael’s new post about J2US

Anyway, 5 comments from 5 people are much higher than the foreign musical education of the committee. Except for Katie Garbi, with whom we have known each other for years and I know she has a good foreign musical education. Did you hear what he said at the end? And I really thank her and that is due to Its credit. He said to have John say it and play it on the piano. Of course they all refused, because if that happened, they would all suffer.

I’d strum “Crazy” with very jazzy chords, and you’d hear the bell sound. Me and the piano. nothing else. But then another couple will have to leave. And I tell Despina from now on. Come to the final, let’s say a duplicitous alien duo. Do you think he would agree to do that? I say no. Because in this case, she will come out of her safe zone, which says on the marquee “MISS VANDY OUTSTANDING FOLK SINGER” and no one doubts it.

As a foreigner, I think he will have great difficulties, because he does not own “Americanism”, photography and so on, and of course he will not risk doing a duet with someone who has grown up with such an education. As for the comments, 3 musicians from the Nikos band, who studied in America, congratulated me on my “crazy”. But the commentary of Haris Varthakouris, with whom we have been friends for 3 decades, we have the same voices, the guy plays keyboards, harmonies, and horrible complex chords. A very good interpreter, who never spoke of a colleague, wrote to me, “a great injustice to me away from the game”. Well, I’ve had enough of these comments from these guys. And because the “crazy” you saw how we interpreted it, what can we say now that it was for the 8 but for the 88! And he who understood understood. Good continuation!!! He wrote characteristically.